![]() ![]() ![]() The white stone border surrounding the path establishes it as separate from the expanse of the parking lot. Dense plantings may thin out to reveal an important feature, for example, or a swath of lawn may set off a focal point. Other ways to establish hierarchy in landscapes include proximity, spacing, alignment, and use of negative space. For example, a building with a facade full of archways may have a larger or higher arch where the main entrance is. Hierarchy is an important visual cue that we constantly use subconsciously to navigate. In landscapes, hierarchy can be obvious, but it can also be much more subtle. This is a very straightforward example of hierarchy. Scroll through this post and notice that the headings are larger than the body text, and the title is larger than that. ![]() Text size, too, can add hierarchy to an otherwise uniform block of text. In writing, we can create hierarchy by making things bold or italic. But hierarchy is a great example of the ways our brains subconsciously perceive the world around us. Hierarchy is one of my favorite spatial design components. This week, we’re looking at hierarchy, datum, organization, and rhythm/repetition. If you haven’t read the previous posts, check them out! After a brief introductory post, we dove into the four main spatial components, then touched on scale, enclosure, symmetry/asymmetry, and axis. This is part 4 in a series on basic principles of design. ![]()
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